I work 1 of the red eye shifts where incoming crisis calls steeped in a Suicide and Homicide demographic fills my professional and peer talk late at night into the daylight hours of morning. Afterwards I train home and look at the larger 8 x 5′ frame that needs to be canvassed for the actual tryptich 2019 of 3 images i’m obsessing on that are largely green, purples, blues, black, white, gray, ochre (yellows) and there isn’t much green in any of them.
The three started easily. Death, dying, hopelessness, for danger of the soul’s entering the dark of night, or maybe for the hopefulness of light and no matter how poorly or bright it glows, throws off the eye focus and blindingly, still. I don’t let myself put filters across my eyes (ray bans) because I need to see the base colors in truthful brilliance.
The Tryptich 2019 3 are:
1.) The Language of Pain 16 x 21 x 2″ Acrylic on heavy canvas (2019)
2.) The Language of Love 16 x 21 x 2″ acrylic on heavy canvas (2019)
3.) The Language of Blue 16 x 21 x 2″ acrylic on heavy canvas (2019)
What I like about them is that they are tower influenced and I am fascinated with scratching or texturizing out multiple windows that offer color behind each frame interestingly enough and inherently adds shape to the CU of the tower structure. Language of Pain is the 1st of the 3 in the tryptich, followed by Language of Love and lastly the Language of Blue (ala Miles Davis Blue In Green) although there is not much green in it.
My work as a Peer in Suicide (SI) and Homicide (HI) is deeply effected with being a sounding board for the bodies of voice who call in to the center in crisis driven by losses and the lack of hope can be heard resoundingly in dull, quiet. It is growth for me to listen to it. As a “fixer” I can’t fix this.
Still listening to a lot of mixes around standards, listening to WBGO New York, KCSM San Mateo, the new Clark Atlanta Jazz station on 91.9 FM Atlanta, bossa, samba, brazilian, NIN, Bach’s quieter cello studies, Puccini, Leonard Bernstein and the Spike Lee film soundtracks actually. I’m not averse to listening to or mixing new compilation of favorite melodic renditions.
Filmically, I’ve had on classic film from the 30s-after WW2 and they are lullabies to me.
Looking at a lot of architecture, furniture, fashion and foods. I have the latest ARTFORUM and W on my work desk in my studio.
It rains most days now and I sleep haphazardly 3, 4, 5 maybe a 30 minutes here and there. Sleep in long amounts rests the body and takes the back aching away and I’m surprised at my physical resilience, still.
I’m irritated by duplicity of any kind today and it drives who and what I spend my time around.
I will accept nothing less than full on-court offense and defense.